Hollywood Renegades Archive

The Society of Independent Motion Picture Producers

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THE SIMPP RESEARCH DATABASE

COBBLESTONE ENTERTAINMENT

Hollywood Renegades: The Society of Independent Motion Picture Producers

J. A. Aberdeen


BIBLIOGRAPHY:

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_____. United Artists: The Company Built by the Stars. Madison: University of Wisconsin Press, 1976.

_____. United Artists: The Company That Changed the Film Industry. Madison: University of Wisconsin Press, 1987.

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_____. The Golden Web: A History of Broadcasting in the United States 1933-1953. New York: Oxford University Press, 1968.

_____. The Image Empire: A History of Broadcasting in the United States from 1953. New York: Oxford University Press, 1970.

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_____. The United Artists Story. New York: Crown, 1988.

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_____. David Lean: A Biography. New York: Wyatt/St. Martin’s Press, 1996.

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_____. The Parade’s Gone By. Berkely: University of California Press, 1968.

_____, and John Kobal. Hollywood: The Pioneers. New York: Alfred A. Knopf, 1979.

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_____. My Life in Pictures. New York: Peerage Books, 1974.

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Cowie, Peter. Coppola: A Biography. New York: Charles Scribner’s Sons, 1989.

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_____. The Talkies: American Cinema’s Transition to Sound, 1926-1931. New York: Charles Scribner’s Sons, 1997.

Crosby, Bing, as told to Pete Martin. Call Me Lucky. New York: Simon and Schuster, 1953.

Cross, Robin. The Big Book of "B" Movies or How Low Was My Budget. New York: St. Martins Press, 1981.

Crowther, Bosley. Hollywood Rajah: The Life and Times of Louis B. Mayer. New York: Henry Holt, 1960.

Culhane, John. Walt Disney’s Fantasia. New York: Harry N. Abrams, 1983.

Curtis, James. Between Flops: A Biography of Preston Sturges. New York: Harcourt Brace Johanovich, 1982.

Dardis, Tom. Harold Lloyd: The Man on the Clock. New York: Viking Press, 1983.

Davis, Ronald L. John Ford: Hollywood’s Old Master. Norman, OK: University of Oklahoma Press, 1995.

DeMille, Cecil B., edited by Donald Hayne. The Autobiography of Cecil B. DeMille. Englewood Cliffs, NJ: Prentice-Hall, 1959.

Dick, Bernard F. City of Dreams: The Making and Remaking of Universal Pictures. Lexington, KY: University of Kentucky, 1997.

_____. The Star-Spangled Screen: The American World War II Film. Lexington, KY: University Press of Kentucky, 1985.

Doherty, Thomas. Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. Boston: Unwin Hyman, 1988.

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Durgnat, Raymond, and Scott Simmon. King Vidor: American. Berkeley, CA: University of California Press, 1988.

Eames, John Douglas. The MGM Story: The Complete History of Fifty Roaring Years. New York: Crown, 1975.

_____. The Paramount Story. New York: Crown, 1985.

Elsaesser, Thomas, with Adam Barker, eds., Early Cinema: Space, Frame, Narrative. London: BFI, 1990.

Essoe, Gabe. Tarzan of the Movies: A Pictorial History of More Than Fifty Years of Edgar Rice Burroughs’ Legendary Hero. New York: Citadel Press, 1968.

Everson, William K. American Silent Film. New York: Oxford University Press, 1978.

Eyles, Allen. The Western. Cranbury, NJ: A. S. Barnes, 1975.

Eyman, Scott. Mary Pickford: America’s Sweetheart. New York: Donald I. Fine, 1990.

Fairbanks, Douglas, Jr., and Richard Schickel. The Fairbanks Album. Boston: New York Graphic Society, 1975.

Farber, Stephen, and Marc Green. Hollywood Dynasties. New York, Delilah, 1984.

Fell, John L., ed. Film Before Griffith. Berkeley, CA: University of California Press, 1983.

Feild, Robert D. The Art of Walt Disney. New York: Macmillan, 1942.

Finch, Christopher. The Art of Walt Disney: From Mickey Mouse to the Magic Kingdoms. New York: Harry N. Abrams, 1973.

Finler, Joel W. The Hollywood Story. New York: Crown, 1988.

Fleischer, Richard. Just Tell Me When to Cry: A Memoir. New York: Carroll and Graf, 1993.

Flower, Joe. Prince of the Magic Kingdom: Michael Eisner and the Re-Making of Disney. New York: John Wiley and Sons, 1991.

Ford, Dan. Pappy: The Life of John Ford. Englewood Cliffs, NJ: Prentice-Hall, 1979.

Freedland, Michael. The Warner Brothers. New York: St. Martin’s Press, 1983.

French, Philip. The Movie Moguls: An Informal History of the Hollywood Tycoons. Chicago: Henry Regnery, 1969.

Friedrich, Otto. City of Nets: A Portrait of Hollywood in the 1940's. New York: Harper & Row, 1986.

Gabler, Neal. An Empire of Their Own: How the Jews Invented Hollywood. New York: Doubleday, 1985.

Gallagher, Tag. John Ford: The Man and His Films. Berkeley, CA: University of California Press, 1986.

Gehring, Wes, D. Charlie Chaplin’s World of Comedy. Muncie: Ball State University Press, 1980.

_____. Screwball Comedy: A Genre of Madcap Romance. New York: Greenwood Press, 1986.

Goldenson, Leonard H., with Marvin J. Wolf. Beating the Odds: The Untold Story Behind the Rise of ABC: The Stars, Struggles, and Egos That Transformed Network Television By the Man Who Made It Happen. New York: Charles Scribner’s Sons, 1991.

Goldwyn, Samuel. Behind the Screen. New York: George H. Doran, 1923.

Gomery, Douglas. The Hollywood Studio System. New York: St. Martin’s Press, 1986.

_____. Shared Pleasures: A History of Movie Presentation in the United States. Madison: University of Wisconsin Press, 1992.

Graham, Cooper C., Steven Higgins, Elaine Mancini, and Joao Luiz Vieira. D.W. Griffith and the Biograph Company. Metuchen, NJ: Scarecrow Press, 1985.

Grover, Ron. The Disney Touch: Disney, ABC and the Quest for the World’s Greatest Media Empire. Burr Ridge, IL: Irwin Professional Publishing, 1996.

Guback, Thomas. The International Film Industry: Western Europe and America Since 1945. Bloomington, IN: Indiana University Press, 1969.

Gunning, Thomas. D.W. Griffith and the Rise of the Narrative Film. Urbana, IL: University of Illinois Press, 1991.

Hamilton, Ian. Writers in Hollywood, 1915-1951. London: Heinemann, 1990.

Hampton, Benjamin B. A History of the American Film Industry: From Its Beginnings to 1931. New York: Dover, 1970; reprinted from A History of the Movies. New York: Covici, Friede, 1931.

Haver, Ronald. David O. Selznick's Hollywood. New York: Bonanza Books, 1980.

Hay, Peter. MGM: When the Lion Roars. Atlanta, GA: Turner, 1991.

Hecht, Ben. A Child of the Century. New York: Simon and Schuster, 1954.

Henderson, Harold Paulk, The Politics of Change in Georgia: A Political Biography of Ellis Arnall. Athens, GA: University of Georgia Press, 1991.

Hendricks, Gordon. The Edison Motion Picture Myth. Berkeley, CA: University of California Press, 1961.

Hepburn, Katherine. The Making of The African Queen: Or How I Went To Africa With Bogart, Bacall and Houston and Almost Lost My Mind. New York: Alfred A. Knopf, 1987.

Heraldson, Donald. Creators of Life: A History of Animation. New York: Drake, 1975.

Herndon, Booton. Mary Pickford and Douglas Fairbanks: The Most Popular Couple the World Has Known. New York: W. W. Norton, 1977.

Higham, Charles. Merchant of Dreams: Louis B. Mayer, M.G.M. and the Secret Hollywood. New York: Donald I. Fine, 1993.

_____. Orson Welles: The Rise and Fall of an American Genius. New York: St. Martin’s Press, 1985.

_____. Warner Brothers. New York: Charles Scribner’s Sons, 1975.

Hirschhorn, Clive. The Universal Story: The Complete History of the Studio and It's 2,641 Films. New York: Crown, 1983.

_____. The Warner Bros. Story. New York: Crown, 1979.

Holliss, Richard, and Brian Sibley. The Disney Studio Story. New York: Crown, 1988.

Huettig, Mae D. Economic Control of the Motion Picture Industry: A Study in Industrial Organization. Philadelphia: University of Pennsylvania Press, 1944.

Hurst, Richard M. Republic Studios: Between Poverty Row and the Majors. Metuchen, NJ: Scarecrow Press, 1979.

Huston, John. An Open Book. New York: Alfred A. Knopf, 1980.

Irwin, Will. The House that Shadows Built. New York: Doubleday, Doran, 1928.

Jacobs, Diane. Christmas in July: The Life and Art of Preston Sturges. Berkeley, CA: University of California, 1992.

Jacobs, Lewis. The Rise of the American Film: A Critical History. New York: Harcourt, Brace, 1939.

James, John Douglas. The MGM Story. New York: Crown, 1976.

Jewell, Richard B., and Vernon Harbin. The RKO Story. New York: Arlington House, 1982.

Johnston, Alva. The Great Goldwyn. New York: Random House, 1937.

Kaminsky, Stuart. John Huston: Maker of Magic. Boston: Houghton Mifflin, 1978.

Kapsis, Robert E. Hitchcock: The Making of a Reputation. Chicago: University of Chicago Press, 1992.

Kazan, Elia. A Life. New York: Alfred A. Knopf, 1988.

Kennedy, Joseph P., ed. The Story of the Films. Chicago: A. W. Shaw, 1927.

Keyser, Lester J. Hollywood in the Seventies. San Diego: A. S. Barnes, 1981.

Kinney, Jack. Walt Disney and Assorted Other Characters: An Unauthorized Account of the Early Years at Disney’s.New York: Harmony Books, 1988.

Koppes, Clayton R., and Gregory D. Black. Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies. New York: Free Press, 1987.

Korda, Michael. Charmed Lives: A Family Romance. New York: Random House, 1979.

Koszarski, Richard. An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928. New York: Charles Scribner’s Sons, 1990.

_____, ed. Hollywood Directors, 1914-1940. New York: Oxford University, 1976.

_____, ed. Hollywood Directors, 1941-1976. New York: Oxford University, 1977.

Kramer, Stanley, with Thomas M. Coffey. A Mad, Mad, Mad, Mad World: A Life in Hollywood. New York: Harcourt, Brace, 1997.

Kuhn, Annette. Cinema, Censorship, and Sexuality, 1909-1925. New York: Routledge, 1988.

Kulik, Karol. Alexander Korda: The Man Who Could Work Miracles. New Rochelle, NY: Arlington House, 1975.

Lahue, Karlton C. Dreams for Sale: The Rise and Fall of the Triangle Film Corporation. Cranbury, NJ: A. S. Barnes, 1971.

Lally, Kevin. Wilder Times: The Life of Billy Wilder. New York: Henry Holt, 1996.

Lasky, Betty. RKO: The Biggest Little Major of Them All. Santa Monica, CA: Roundtable, 1984.

Lasky, Jesse L., with Don Weldon. I Blow My Own Horn. Garden City, NY: Doubleday, 1957.

Lasky, Jesse, Jr. Whatever Happened to Hollywood?. New York: Funk & Wagnalls, 1975.

Leaming, Barbara. Orson Welles: A Biography. New York: Viking Press, 1985.

Lebo, Harlan. Citizen Kane: The Fiftieth-Anniversary Album. New York: Doubleday, 1990.

Leebron, Elizabeth, and Lynn Gartley. Walt Disney: A Guide to References and Resources. Boston: G. K. Hall, 1979.

Leff, Leonard J., and Jerold L. Simmons. The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s. New York: Grove Weidenfeld, 1990.

Leff, Leonard J. Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick In Hollywood. New York: Weidenfeld and Nicholson, 1987.

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Lingeman, Richard R. Don’t You Know There’s a War On?: The American Home Front, 1941-1945. New York: G.P. Putnam’s Sons,1970.

MacCann, Richard Dyer. The First Tycoons. Metuchen, NJ: Scarecrow Press, 1987.

Madsen, Axel. William Wyler: The Authorized Biography. New York: Thomas Y. Crowell, 1973.

Maland, Charles. American Visions: The Films of Chaplin, Ford, Capra, and Welles, 1936-1941. New York: Arno Press, 1977.

Maland, Charles J. Chaplin and American Culture: The Evolution of a Star Image. Princeton, NJ: Princeton University Press, 1989.

Maltin, Leonard. Of Mice and Magic: A History of American Animated Cartoons. Rev. ed. New York: New American Library, 1987.

Maltin, Leonard, and Richard W. Bann. Our Gang: The Life and Times of the Little Rascals. New York: Crown, 1977.

Manvell, Roger. Films and the Second World War. New York: Dell, 1976.

Marill, Alvin H. Samuel Goldwyn Presents. Cranbury, NJ: A. S. Barnes, 1976.

Marx, Arthur. Goldwyn: A Biography of the Man Behind the Myth. New York: W. W. Norton, 1976.

Marx, Samuel. Mayer and Thalberg: The Make-Believe Saints. New York: Random House, 1975.

Mast, Gerald, ed. The Movies in Our Midst: Documents in the Cultural History of Film in America. Chicago: University of Chicago Press, 1982.

McBride, Joseph. Frank Capra: The Catastrophe of Success. New York: Simon and Schuster, 1992.

McCabe, John. Cagney. New York: Alfred A. Knopf, 1997.

_____. Charlie Chaplin. New York: Doubleday, 1978.

McCarthy, Todd. Howard Hawks: The Grey Fox of Hollywood. New York: Grove Press, 1997.

McDougal, Dennis. The Last Mogul: Lew Wasserman, MCA, and the Hidden History of Hollywood. New York: Crown, 1998.

McGilligan, Patrick. Fritz Lang: The Nature of the Beast. New York: St. Martin’s Press, 1997.

Merritt, Russel, and J. B. Kaufman. Walt in Wonderland: The Silent Films of Walt Disney. Pordenone, Italy: Le Giornate del Cinema Muto, 1992.

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Milton, Joyce. Tramp: The Life of Charlie Chaplin. New York: Harper Collins, 1996.

Monaco, Paul. Ribbons in Time: Movies and Society Since 1945. Bloomington, IN: Indiana University Press, 1987.

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Mosely, Leonard. Disney’s World: A Biography. New York: Stein and Day, 1985.

_____. Zanuck: The Rise and Fall of Hollywood’s Last Tycoon. Boston: Little, Brown, 1984.

Musser, Charles. The Emergence of Cinema: The American Screen to 1907. New York: Charles Scribner’s Sons, 1990.

_____. Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company. Berkeley, CA: University of California Press, 1991.

Naremore, James. The Magic World of Orson Welles. New York: Oxford University Press, 1978.

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_____. Chaplin: The Mirror of Opinion. London: Secker & Warburg, 1983.

Sanders, Coyne Steven, and Tom Gilbert. Desilu: The Story of Lucille Ball and Desi Arnaz. New York: William Morrow, 1993.

_____. Hollywood in the Twenties. Cranbury, NJ: A. S. Barnes, 1968.

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Schatz, Thomas. Boom and Bust: The American Cinema in the 1940s. New York: Charles Scribner’s Sons, 1997.

_____. The Genius of the System. New York: Henry Holt, 1996.

_____. Hollywood Genres: Formulas, Filmmaking, and the Studio System. New York: McGraw-Hill, 1981.

Schickel, Richard. D. W. Griffith: An American Life. New York: Simon & Schuster, 1984.

_____. The Disney Version: The Life, Times, Art and Commerce of Walt Disney. New York: Simon and Schuster, 1968.

_____. James Cagney: A Celebration. Boston: Little, Brown, 1985.

Schrecker, Ellen. The Age of McCarthyism: A Brief History With Documents. Boston: St. Martins Press, 1994.

Schulberg, Budd. Moving Pictures: Memories of a Hollywood Prince. New York: Simon & Schuster, 1984.

Schumacher, Michael. Francis Ford Coppola: A Filmmaker’s Life. New York: Crown, 1999.

Schwartz, Lynn, Nancy. The Hollywood Writer’s Wars. New York: Alfred A Knopf, 1982.

Selznick, Irene Mayer. A Private View. New York: Alfred A. Knopf, 1983.

Sennett, Mack, as told to Cameron Shipp. King of Comedy. Garden City, NY: Doubleday, 1954.

Shale, Richard. Donald Duck Joins Up: The Walt Disney Studio During World War II. Ann Arbor, MI: UMI Research Press, 1982.

Shindler, Colin. Hollywood Goes to War: Films and American Society, 1939-1952. Boston: Routledge & Kegan Paul, 1979.

Sinyard, Neil. Silent Movies. New York: Gallery Books, 1990.

Shipman, David. The Story of Cinema. New York: St. Martin’s Press, 1982.

Shows, Charles. Walt: Backstage Adventures With Walt Disney. La Jolla, CA: Windsong Books, 1979.

Sikov, Ed. On Sunset Boulevard: The Life and Times of Billy Wilder. New York: Hyperion, 1998.

Silverman, Stephen M. David Lean. New York, Harry N. Abrams, 1989.

Sinclair, Andrew. John Ford. New York: Dial Press/James Wade, 1979.

_____. Spiegel: The Man Behind the Pictures. Boston: Little, Brown, 1987.

Sklar, Robert. Film: An International History of the Medium. New York: Harry N. Abrams, 1993.

_____. Movie-Made America: A Cultural History of American Movies. New York: Vintage Books, 1994.

Smith, Albert E. Two Reels and a Crank. Garden City, NY: Doubleday, 1952.

Smoodin, Eric, ed. Disney Discourse: Producing the Magic Kingdom. New York: Routledge, 1994.

Solomon, Charles. The Disney That Never Was: The Stories and Art from Five Decades of Unproduced Animation. New York: Hyperion, 1995.

_____. Enchanted Drawings: The History of Animation. New York: Alfred A. Knopf, 1989.

Spoto, Donald. The Dark Side of Genius: The Life of Alfred Hitchcock. Boston: Little, Brown, 1983.

_____. Stanley Kramer, Film Maker. New York: Putnam, 1978.

Stanley, Robert H. The Celluloid Empire: A History of the American Movie Industry. New York: Communications Arts/Hastings House, 1978.

Sturges, Preston, adapted and edited by Sandy Sturges. Preston Sturges. New York: Simon and Schuster, 1990.

Swanson, Gloria. Swanson on Swanson. New York: Random House, 1980.

Tabori, Paul. Alexander Korda: A Biography. London: Oldbourne, 1959.

Taylor, John. Storming the Magic Kingdom: Wall Street, the Raiders, and the Battle for Disney. New York: Alfred A. Knopf, 1987.

Taylor, John Russell. Hitch: The Life and Times of Alfred Hitchcock. New York: Pantheon Books, 1978.

_____. Orson Welles. Boston: Little, Brown, 1986.

_____. Strangers in Paradise: The Hollywood Emigres. London: Faber and Faber, 1983.

Thomas, Bob. Building a Company: Roy O. Disney and the Creation of an Entertainment Empire. New York: Hyperion, 1998.

_____. Selznick. Garden City, NY: Doubleday, 1970.

_____. Thalberg: Life and Legend. Garden City, NY: Doubleday, 1969.

_____. Walt Disney: An American Original. New York: Simon and Schuster, 1976.

Thomas, Tony. Howard Hughes in Hollywood. Secaucus, NJ: The Citadel Press, 1985.

Thompson, Kristin. Exporting Entertainment: America in the World Film Market, 1907-1934. London: British Film Institute, 1985.

Thomson, David. Rosebud: The Story of Orson Welles. New York: Alfred A. Knopf, 1996.

Torrence, Bruce, T. Hollywood: The First Hundred Years. New York: Zoetrope, 1982.

Trethewey, Richard L. Walt Disney: The FBI Files. Pacifica, CA: Rainbo Animation Art, 1994.

Tytle, Harry. One of "Walt’s Boys": An Insider’s Account of Disney’s Golden Years. Royal Oak, MI: Airtight Seels Allied Productions, 1997.

Trumbo, Dalton. Additional Dialogue: Letters of Dalton Trumbo 1942 - 1962. New York: M.Evans, 1970.

Udelson, Joseph H. The Great Television Race: A History of the American Television Industry, 1925-1941. Alabama: University of Alabama Press, 1982.

Vidor, King. King Vidor on Film Making. New York: David McKay, 1972.

Wallis, Hal, and Charles Higham. Starmaker: The Autobiography of Hall Wallis. New York: Macmillan, 1980.

Wapshott, Nicholas. Carol Reed: A Biography. New York: Alfred A. Knopf, 1994.

Warner, Jack. My First Hundred Years in Hollywood. New York: Random House, 1965.

Watts, Steven. The Magic Kingdom: Walt Disney and the American Way of Life. Boston: Houghton Mifflin, 1997.

Weales, Gerald. Canned Goods as Caviar: American Film Comedy of the 1930s. Chicago: University of Chicago Press, 1985.

Welles, Orson, and Peter Bogdanovich. This Is Orson Welles. New York: HarperCollins, 1992.

Whitefield, Eileen. Pickford: The Woman Who Made Hollywood. Lexington, KY: University Press of Kentucky, 1997.

Wilkerson,Tichi, and Marcia Borie, The Hollywood Reporter, the Golden Years. New York: Coward-McCann, 1984.

Williams, Henry B. Theatre at Dartmouth 1769-1914: From Eleazar Wheelock to Walter Wanger. Hanover, NH: Friends of the Dartmouth Library, 1987.

Williams, Martin. Griffith: First Artist of the Movies. New York: Oxford University Press, 1980.

Windeler, Robert. Sweetheart: The Story of Mary Pickford. New York: Praeger, 1974.

Zierold, Norman. The Moguls: Hollywood’s Merchants of Myth. New York: Coward-McCann, 1969.

Zinnemann, Fred. A Life in the Movies: An Autobiography. New York: Robert Stewart/Charles Scribner’s Sons, 1992.

Zukor, Adolph, with Dale Kramer. The Public Is Never Wrong: My Fifty Years in the Motion Picture Industry. New York: G. P. Putnam’s Sons, 1953.

 

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